When he was singing the third one –finally they were seven- I went down running towards the dressing room. The audience stood up to applaud him with great enthusiasm and began to ask him to sing other tangos. He finished the first and only number we have planned for his appearance but it happened something unexpected.
Then, after piano and singing by Héctor and before the finale, which was for showcasing Jorge Casal, I announced the debutant Leonardo Pastore with his guitar. It was customary that the one preceding the final number had not to be one that would give rise to a standing ovation. Firstly, some singers with little professional experience would appear, and later a dancing couple, a piano soloist or a guitar and bandoneon duet or something I would think that might be interesting for the audience. Héctor told me he would not like to be the one in charge of the finale. Of course, I replied that I would include him also in the show. He was accompanied by a boy and he later told me the boy had just finished his military service and was one of his singing students with good possibilities for the future. As I was responsible for those appearances, I invited him to come to my place, a few blocks from there, so that he would be able to get dressed and wear his tuxedo. I don’t remember the reason why the singer Héctor De Rosas was unable to use his dressing room a few minutes before the performance.
It was in the beginning of the 90s, the Teatro Municipal Gregorio de Laferrere in the city of Morón was ready to offer one more tango Thursday of a season that lasted one year and a half. E was born in Lanús, in the southern area of the surrounding urban cities, a few miles from the city of Buenos Aires.